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      <image:title>La Celestina</image:title>
      <image:caption>de Basilea, Burgos (1499)</image:caption>
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      <image:caption>Cromberger, Sevilla (1518-1520)</image:caption>
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      <image:caption>Cromberger, Seville (1502)</image:caption>
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      <image:caption>de Bendoni &amp; Hordognez, Venice (1543)</image:caption>
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      <image:caption>Arrivabene, Venice (1519)</image:caption>
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      <image:caption>Wirsung &amp; Grymm, Augsburg (1520) (Coloured)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Wirsung &amp; Grymm, Augsburg (1520) (Uncoloured)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Du Pré, Paris (1527)</image:caption>
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    <image:image>
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      <image:title>La Celestina</image:title>
      <image:caption>Saint-Denis, Paris (1529)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Nourry, Lyon (1529)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Arrivabene, Venice (1531)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Steiner, Augsburg (1534)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>de la Porte, Paris (1542)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>de Bendoni &amp; Hordognez, Venice (1543)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Heyndricz, Antwerp (1580)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Heyndricz, Antwerp (1616)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Gorchs, Barcelona (1841)</image:caption>
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      <image:title>La Celestina</image:title>
      <image:caption>Krapf, Vigo (1899)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/publications</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
  </url>
  <url>
    <loc>https://www.cemvc.ca/researcher-profiles</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1705078177961-TCQVX5EVHUMSX0S78C1J/lauren.png</image:loc>
      <image:title>Researcher Profiles - Lauren Beck. Ph.D.</image:title>
      <image:caption>The director of the CEMVC, Lauren also holds the Canada Research Chair in Intercultural Encounter and the rank of Professor of Visual and Material Culture Studies at Mount Allison University, Canada. She researches early modern visual culture and word and image studies, particularly in the Atlantic world, and pursues questions arising from race, gender, and place of origin in the settler-colonial milieu. Her recent books include Illustrating el Cid, 1498-Today(2019), Firsting in the Early Modern Atlantic World (2019), Canada’s Place Names and How to Change Them (2022), Mitji: Let’s Eat! Mi’kmaq Recipes from Sikniktuk (2024, with M. Augustine), and Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies (2024, with G. Chacón and J. Sánchez). Her research is supported by the Social Sciences and Humanities Research Council, the Canada Foundation for Innovation, the New Brunswick Innovation Foundation, and the Canada Research Chair programme.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1626884414469-SWQHOAFH3Q1D6HNECFFA/michael.jpg</image:loc>
      <image:title>Researcher Profiles - Michael Cormier, Ph.D.</image:title>
      <image:caption>Dr. Michael Cormier has been an Assistant Professor in the Department of Mathematics and Computer Science at Mount Allison University since July 2018. His primary research interests lie in the areas of computer vision and machine learning. Dr. Cormier is particularly interested in types of images that have been under-explored in computer vision research, including illustrations, artwork, and web pages. Ongoing applied research projects include the identification of media and methods in printed illustrations, especially from the early modern period, automated generation of metadata for scanned books, and interpreting the structure of web pages using visual evidence (in order to support assistive interfaces such as screen readers). On the theoretical side, he is currently working on methods for incorporating probabilistic reasoning into convolutional neural network models. After completing a BSc at St. Francis Xavier University in 2011, he went on to graduate studies at the University of Waterloo, completing an MMath in 2013 and a PhD in 2018.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/e8a39389-e117-431b-8c9a-bc06afbee89a/Ana+F.jpg</image:loc>
      <image:title>Researcher Profiles - Ana M. Fernández, Ph.D.</image:title>
      <image:caption>Ana M. Fernández holds a PhD in Spanish (University of Ottawa, 2022) and is a post-doctoral research fellow at the CEMVC, and co-founder, with Lauren Beck, of the International Research Community in Inclusion, Interculturality and Pedagogical Perspectives (IRCIIPP). Recipient of La Bourse de la Doyenne (2023-2025) and Bourse spéciale de la Doyenne (2023-2024), Ana is pursuing a PhD in Education at the Université de Montréal (UdeM). Her research focuses on autopoiesis, the enactive approach, and translanguaging. She has completed a Certificat de formation en pédagogie universitaire pour les professeurs (Université d’Ottawa) and a Stage intensif de perfectionnement pour les professeurs de français LE (Université du Québec à Montréal). She has published several articles and volumes in international peer-reviewed journals, among them “Paradoxes of Global and Local Development in the Film Verónico Cruz. La deuda interna: A Hybrid Discussion Group in Spanish for Specific Purposes,” Hispania, 14.3, pp. 415-431 (Fernández, 2021). Re-interpreting Southern Cone Memories, JILAR, 28.1 (Fernández &amp; Sosnowski, 2022), Manifesting Democracy in Latin America and the Caribbean, Canadian Journal of Latin American and Caribbean Studies, 47.3 (Fernández &amp; Rojas Sotelo, 2022), Latin American Women Nurturing Memories, A Contracorriente, 21.2 (Fernández, da Silva &amp; Torres, 2024). Based on her academic experience —as a research assistant, lecturer/chargée de cours, part-time professor—, she supports dialogic and inclusive education to achieve equity for the wellbeing of societies.  You can contact Ana at afernandez@mta.ca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1619538743977-2DMZBMI20XQG3Y7YD0U5/grace.jpg</image:loc>
      <image:title>Researcher Profiles - Grace Gomashie, Ph.D.</image:title>
      <image:caption>Grace is a post-doctoral research fellow at the CEMVC, responsible for research in equity and diversity and researcher training. She received her Ph.D. from the University of Western Ontario in 2020, and her research focuses on the language vitality of Indigenous languages in multilingual contexts. Her peer-reviewed publications include “Bilingual youth’s language choices and attitudes towards Nahuatl in Santiago Tlaxco, Mexico” (Journal of Multilingual and Multicultural Development, 2020), “Kanien’keha/Mohawk Indigenous Language Revitalization Efforts in Canada” (McGill Journal of Education, 2019) and “Language Vitality of Spanish in Equatorial Guinea: Language Use and Attitudes” (Humanities, 2019).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1619538846736-M4GR8AT2WCQV5BGR9O43/ail%C3%A9n.jpg</image:loc>
      <image:title>Researcher Profiles - Ailén Cruz, Ph.D.</image:title>
      <image:caption>Ailén is a post-doctoral researcher at the CEMVC who received her Ph.D. from the University of Toronto in 2020. She previously worked as an Assistant Professor at the Australian National University, where she taught literature and translation. Her main research stream focuses on the evolution of the bestiary genre from its medieval origins to contemporary Hispanic literature (book forthcoming with McGill-Queen’s University Press). Her peer-reviewed publications include “Nicolás Guillén’s El gran zoo and his Biopolitical Legacy in Three Contemporary Bestiaries” (Hispania, 2022) and “Roque Larraquy’s Informe sobre ectoplasma animal in English Translation” (The AALITRA Review, 2023). She is also interested in questions of the uncanny in Latin American literature, and has published on this matter in Romance Notes. For the latest on her research, you can visit her ORCid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/a18279a7-bab4-44cf-8173-05c791a2dd8f/Sam+Bio+Pic.jpeg</image:loc>
      <image:title>Researcher Profiles - Samantha Ruckenstein, Ph.D.</image:title>
      <image:caption>Samantha Ruckenstein is the Digital Humanities Scholar at the CEMVC. She holds a Ph.D. in Hispanic Studies from McGill University, having completed her Master's in Hispanic Literatures and Cultures with a specialization in Medieval studies at the University of Toronto, in addition to her Undergraduate degree in Hispanic Studies at Queen's University. She is currently working as a lecturer on Visual Culture at Mount Allison University and Assistant Professor of Spanish at St. Thomas University’s Elsipogtog First Nation Campus. Samantha loves working with the CEMVC and increasing the presence of visual culture in academia. Her research interests include: Medieval and Contemporary Iberian Literature, Transatlantic Spanish Studies, Feminist theory, Disability studies, Minority studies, Jewish studies, and Spanish law. For more information visit samanthapenina.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1619538305060-05Z4IAXXWRNWYEP1Y2BN/justin.jpg</image:loc>
      <image:title>Researcher Profiles - Justin Yoston</image:title>
      <image:caption>Justin Yoston began his involvement with the CEMVC as a metadata research assistant in 2018, and he currently serves as research supervisor for the Centre, guiding on data management and systems integration. In this capacity, he oversees a team of researchers in compiling and documenting image sets for the repository. In addition to his role at the CEMVC, he also contributes to business strategy and web design at Metafy (Dr. Beck’s start-up company) and maintains employment as an analyst in the private sector. Justin completed his Bachelor of Arts degree at Mount Allison University (Hons. Philosophy, Min. Psychology), during which time he served as a teaching assistant. He spends his spare time writing poetry &amp; fiction, playing musical instruments, working on home automation, and hanging out with his chihuahua, Brutus.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1417e1fe-ba42-4a6b-9e2e-47f100652689/Ernesto.jpg</image:loc>
      <image:title>Researcher Profiles - Ernesto Anaguano</image:title>
      <image:caption>Ernesto holds a Bachelor's degree in Literature and Sociology from the Central University of Ecuador and a Master's degree in Sociology from FLACSO-Ecuador. Currently, he is pursuing a PhD in Hispanic Studies at the University of Western Ontario. He works as a Graduate Teaching Assistant, teaching intermediate-level Spanish. His research focuses on Indigenous Literature of Ecuador, as well as the sociology of education and data analysis of large-scale learning assessments for education policies.  Some of his recent works include Desigualdades educativas entre colegios públicos y privados en Ecuador: retos para mejorar de la calidad educativa (in Retos, avances y reflexiones transdisciplinares desde contextos educativos diversos, UPS/UNAE/Abya-Yala, 2024) and La partida (Revista Anales de la Universidad Central del Ecuador, 2023). In his spare time, he enjoys writing poetry and playing the guitar. In 2023, he won third place in the 5th National Contest of Poetry 'David Ledesma' in Ecuador.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/2714e6b1-d9ae-4437-b5f2-ecef13f1f28a/Des+Bio+Photo.JPG</image:loc>
      <image:title>Researcher Profiles - Désirée Worrall-Bélanger</image:title>
      <image:caption>Désirée Worrall-Bélanger (She/Her) graduated from Mount Allison University in 2024, having completed a Bachelor of Arts with an Honours in English, a Minor in VMCS, and a certificate in visual literacy and culture. She is currently working full-time as an Editorial, Marketing, and Community associate at Fable — a social media app for book-and-tv-show lovers. Désirée’s interests in the world of visual and material culture solidified when she began posting on social media (specifically BookTok) for her business back in 2021. Within the first two weeks of opening her Etsy shop, her social media account (@rainydayslibrary) went viral, which allowed for numerous opportunities to parnter with brands such as Notion, Macmillan, Scholastic, Penguin Random House, Bloomsbury, and more. It is also how she connected with Fable as they found her account, offering her a paid internship, which led to a guaranteed full-time position after graduation. Désirée has been working with Dr. Beck and the CEMVC since her first year at MtA (2020) until the end of her third year where she had to take a break to focus on her internship; she’s thrilled to be joining the team once more in 2024 as a now-graduate. In her free time, you will most likely find her curled up in her reading corner, catching up on her current read.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1732665047802-6ESF1AX0V0R21GWZF7C7/unsplash-image-UMpBYuqwK14.jpg</image:loc>
      <image:title>Researcher Profiles - Kate McSweeney</image:title>
      <image:caption>Kate McSweeney obtained her Master of Letters from the University of Aberdeen, Scotland in 2024 after graduating from Mount Allison as one of the first two honours students in VMCS in 2023. While at Mount Allison, she started working for CEMVC in 2021 on the Aesop's Fables project through a placement in her first ever VMCS course. This was one of the pivotal moments that cemented her love of VMCS and convinced her to switch her major from biology to VMCS. Since then, she has worked with Dr. Lauren Beck and Dr. Christina Ionescu on various research projects relating to place names, book illustrations, gender representation in film, and most recently medieval and early modern symbolism used by far-right groups in North America. She hopes to continue researching in the field of visual culture and complete her MLIS degree to work in arts-based data and metadata management. Currently she is a graduate intern at the Getty Museum, Los Angeles in the collections information and access department where she helps to keep the back end of the museums collections pages and databases running smoothly.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/c407f089-02da-49b4-b200-9472ef43f2d0/Nicole+Bio+Pic.jpeg</image:loc>
      <image:title>Researcher Profiles - Nicole Laura Surette-Bourque</image:title>
      <image:caption>Nicole is a current undergraduate student at Mount Allison University with an Honours in Classics, a triple minor in Ancient Greek, Latin, and VMCS, as well as a certificate in Visual and Material Literacy, with plans to graduate in May 2025, and to continue into a graduate studies program in the fall. Her research interests include a focus on the Classical and Archaic period, the use of material culture as research evidence, for example, through its relation to the population. She is also interested in the connections the Greeks made with other Mediterranean populations, such as the Phoenicians and Carthaginians, and the indigenous populations of places they colonized. As well, she would love to explore Ancient Greek racism and othering of the non-Greek populations. She has been with the CEMVC team since the fall of 2024, and she is very excited to be a part of the team as a data analysis and continue to grow her research skills!</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1619538525737-G47MX3OGCBF7EQ99CB3B/lorena.jpg</image:loc>
      <image:title>Researcher Profiles - Martha Lorena Rojas Castañeda</image:title>
      <image:caption>Bachelor in Liberal Arts with a focus on Cultural Anthropology. Her interests in art and culture led her to work in various cultural and artistic projects in her home city Quito. Lorena recently finished her master's degree in Hispanic Studies at Western University with a thesis about the Chilean singer Violeta Parra. Currently, she works as a graduate teaching assistant at Western teaching a beginners Spanish course. She also works as research assistant for professor Lauren Beck with a project about equality, diversity and inclusion in western visual culture over the last five hundred years. She will continue studying her Ph.D. in Hispanic Studies at Western with an investigation about female voices in Latin American cinema. Lorena is interested in cultural, gender and intermedial studies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1619538328667-LBSC2L0N9K4K4I2XBL9T/ashley.jpg</image:loc>
      <image:title>Researcher Profiles - Ashley Morford</image:title>
      <image:caption>Ashley Caranto Morford is a Pinay-British scholar-activist and SSHRC-funded PhD candidate in English at the University of Toronto. Her work is accountable to and in relationship with Indigenous studies, Pilipinx/a/o studies, anti-colonial methods and praxis, and digital humanities. Along with her work at the Centre for Early Modern Visual Culture, Ashley is the research lead for the SSHRC-funded #DecolonizingDigital Twitter project, which runs out of Dr. Jeffrey Ansloos’ Indigenous Life Promotion and Social Action Network labs at the Ontario Institute for Studies in Education. She is co-editing a forthcoming anthology (through Wilfrid Laurier University Press) on Twitter as an Indigenous territory with Dr. Jeffrey Ansloos and Dr. David Gaertner. Ashley is also a co-founder of Pedagogy of the Digitally Oppressed, a digital humanities partnership committed to anti-colonial digital research and pedagogy, with Arun Jacob and Dr. Kush Patel. To learn more about Pedagogy of the Digitally Oppressed, click here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1619538366850-XKG5EAPT2WZ1UEB8GIIN/asil.jpg</image:loc>
      <image:title>Researcher Profiles - Asil Naqvi</image:title>
      <image:caption>I am currently a PhD student at the NICHE (Knowledge Intensive Computing for Healthcare Enterprises) Research Group at Dalhousie University. Previously, I was a teaching assistant for 2 years at the Dalhousie University for CSCI 2141. My master’s thesis, defended in April 2020 was on the prediction outcome of the kidney transplant patients using machine learning methods. The study was carried out using a high dimensional dataset of kidney transplants at Dalhousie University. My research interests lie at the crossroads of data mining, machine learning based decision support systems for clinical and healthcare settings.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1619539295297-O2G02ACXRDHPOX4XL8VF/124208555_410232333473487_8873981990768521405_n.jpg</image:loc>
      <image:title>Researcher Profiles - Shelby Carson</image:title>
      <image:caption>Shelby is a 2021 graduating student from Mount Allison University with a major in history and a minor in German and classical studies. Her historical areas of interest vary from the Hellenistic period to the Medieval era. Outside of German language courses, she has also enjoyed taking German literature courses. She has been a metadata assistant for the CEMVC since her second year at Mount Allison, primarily with the responsibilities of obtaining data for the collections. In particular, she has helped obtain metadata for the Ovid, Early Modern Women, and Latin American Chronicles collections. She will be working for the CEMVC over the summer to ensure quality and consistency throughout the collections. Shelby will then be attending the University of Toronto's Masters of Information program with a concentration in Archives in the fall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1619820134845-GN4CW628ZBYCYJ1SINXT/elezabeth.jpg</image:loc>
      <image:title>Researcher Profiles - Elizabeth March</image:title>
      <image:caption>Elizabeth completed her Bachelor of Arts at Mount Allison University with Honours in History and a minor in Classical Studies in May 2021. She wrote her Honours thesis on how the Renaissance author, Francesco Petrarca, combined classical and Christian influences in his writings about his muse, Laura. She began working with the CEMVC in the fall of 2019, researching illustrated editions of fictional texts, including Gulliver’s Travels, the works of the Brontë sisters, and Jane Austen’s novels. Elizabeth will continue her studies in September 2021 at Carleton University, where she will undertake an MA in History. In September 2022 she will attend the University of Buckingham in England, where she will complete an MA in Decorative Arts and Historic Interiors. Elizabeth’s research interests include: the social history of Early Modern England and depictions of history on film.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1626275940507-6JQRKI725W2WUWFQ66VI/Jonah.jpg</image:loc>
      <image:title>Researcher Profiles - Jonah Walker-Sherman</image:title>
      <image:caption>Jonah is entering his fourth year of his Bachelor of Arts degree in the Fall and hoping to complete his double major in Philosophy and Psychology by the end of the Winter 2022 term. His philosophical areas of interest range from ancient philosophy to the philosophy of science, and certain areas of logic, while his psychological interests center around biopsychology, language, and palliative care. He began working with CEMVC in the Fall of 2020, finding and meta tagging illustrations from texts of Cervantes' 'Vida y hechos del ingenioso hidalgo Don Quixote de la Mancha' and hasn't stopped since. In addition to his work with the CEMVC he is also working as a research assistant for Professor Jane Dryden and Assistant Professor Andrew Inkpen in a project relating to the recent explosion of biological research pertaining to the human microbiome. In the upcoming Fall 2021 term, he will be working as a teacher's assistant for an introductory course on Plato's Republic.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1626452412055-RTGKWDIDWY0MWYWWVTOU/emily.jpg</image:loc>
      <image:title>Researcher Profiles - Emily Shaw</image:title>
      <image:caption>Emily Shaw (She/Her) is a graduate of Mount Allison University, having completed her Bachelor of Fine Arts in 2021 with a minor in Visual Communication and Culture, and a certificate in visual literacy and culture. She is an interdisciplinary artist and humourist, exploring the female gothic, queer failure, and food anthropology through sculpture, textiles, performance, photography, and audio/video work. Shaw joined the CEMVC in May, working to assist Dr. Beck in her research in representation of women &amp; water in heraldry of the Americas. Shaw will be spending the next year working on her practice and brushing up on her cultural studies. She’s aiming for a master’s in Fine Arts or in Cultural Studies in the next couple years.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/9d3ca753-2934-499f-b543-0d9401a35e29/Alicia.jpg</image:loc>
      <image:title>Researcher Profiles - Alicia Allen</image:title>
      <image:caption>Alicia Allen is a third-year student at Mount Allison University with plans on receiving an Honours in Visual and Material Cultural Studies with a Minor in English Literature. When a social media and metadata research internship became available at the CEMVC, Alicia applied immediately, excited for such an opportunity. Her passion for graphic design is evident and she is excited to enhance her skills and create a professional portfolio for the future. Alicia thrives in settings where she can be connected to her peers. For example, she spends her free time as Co-President of the MTA Creative Writing Society and Co-President of the MTA VMCS Society. She likes to draw, read, and write, with dreams of becoming an author and an academic. After her undergraduate degree at Mount Allison, Alicia plans on attending grad school, pursuing a career in intercultural communications.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/31083865-3233-4756-991c-cefca4745d93/Charmi.jpg</image:loc>
      <image:title>Researcher Profiles - Charmi Pastagiya</image:title>
      <image:caption>Charmi Pastagiya, currently in her third year at Mount Allison University, aims to complete her bachelor’s degree in psychology. Upon discovering an internship opportunity in social media and metadata research at CEMVC, she promptly applied, eager for the chance it presented. In today's context, social media serves as a prominent platform for socializing, and Charmi passionate about social psychology, is intrigued by how this internship can offer insights to improve human engagement in passive interactions. Aside from her academic pursuits, Charmi enjoys cooking, reading, and swimming; she wishes to become a researcher so after her undergraduate studies at Mount Allison, she envisions gaining further knowledge with master's and PhD degrees.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/contact</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2021-04-17</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.cemvc.ca/gallery-1</loc>
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    <lastmod>2020-10-10</lastmod>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>King of my soul! lord of my bosom! stay! (London Dennis Chronicle, 1845)</image:caption>
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      <image:caption>El Cid falls in love with Ximena (Chocolates Torrent and Esteban Sabater, 1900-1950)</image:caption>
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    <image:image>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
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    <image:image>
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      <image:caption>Franz Haaslischen Buchhandlung, Vienna (1813)</image:caption>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>Vite e Ritratti di Uomini Celebri di Tutti i Tempi e di Tuttue le Nazioni. Volume IX - Milan (1821)</image:caption>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>Hennings’sche Buchhandlung, Gotha (1825)</image:caption>
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    <image:image>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>Verlag der Gebrüder Schumann, Leipzig (1842)</image:caption>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>J. G. Cotta’schen Buchhandlung, Castile (1843)</image:caption>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>Charles Knight &amp; Co, London (1845)</image:caption>
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    <image:image>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>J. G. Cotta’scher Verlag, Stuttgart and Tuebingen (1849)</image:caption>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>G. Grote’sche Verlagsbuchhandlung, Berlin (1869)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1594824656067-7UAHA5EKNS5YDC1V0CDM/%E2%80%94S%C3%AD%2C+yo+soy%2C%E2%80%94exclam%C3%B3+Vellido....png</image:loc>
      <image:title>Cantar de mio Cid</image:title>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
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    <image:image>
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      <image:title>Cantar de mio Cid</image:title>
      <image:caption>Chocolates Torrent and Esteban Sabater (1900-1950)</image:caption>
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    <loc>https://www.cemvc.ca/collections-1</loc>
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      <image:caption>Coat of Arms</image:caption>
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      <image:caption>Don Quijote</image:caption>
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      <image:caption>Early Modern Women</image:caption>
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      <image:caption>European Illustrations of Indigenous Peoples of the Americas</image:caption>
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      <image:caption>Gulliver's Travels</image:caption>
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      <image:caption>La Celestina</image:caption>
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      <image:title>Collections</image:title>
      <image:caption>Latin American Chronicles</image:caption>
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      <image:title>Collections</image:title>
      <image:caption>Ovid's Metamorphoses</image:caption>
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      <image:title>Latin American Chronicles</image:title>
      <image:caption>Peru (1600-1650)</image:caption>
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      <image:title>Latin American Chronicles</image:title>
      <image:caption>Otabo Calle Pvcllacoc (The Eighth Group Pucllacoc)</image:caption>
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    <image:image>
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      <image:title>Latin American Chronicles</image:title>
      <image:caption>Peru (1600-1650)</image:caption>
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      <image:title>Latin American Chronicles</image:title>
      <image:caption>El Qvarto Edad De Indios, Avca Rvna (The Fourth Age of the Indians, Auca Runa)</image:caption>
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      <image:title>Latin American Chronicles</image:title>
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    <image:image>
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      <image:title>Latin American Chronicles</image:title>
      <image:caption>Agosto Chacra Iapvi Quilla (August, Month of Turning the Soil)</image:caption>
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      <image:caption>Peru (1600-1650)</image:caption>
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  <url>
    <loc>https://www.cemvc.ca/gullivers-travels</loc>
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  <url>
    <loc>https://www.cemvc.ca/ovids-metamorphoses</loc>
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    <loc>https://www.cemvc.ca/don-quijote</loc>
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    <lastmod>2020-12-27</lastmod>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595529863969-WAI1OS1Z6NM26J0MJXVH/thumbnail+%281%29.jpg</image:loc>
      <image:title>Don Quijote</image:title>
      <image:caption>Desoer, Paris (1821)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595529728296-MRLJR3OUDQKX57SKXBOX/thumbnail+%282%29.jpg</image:loc>
      <image:title>Don Quijote</image:title>
      <image:caption>Effingham Wilson, W. F. Wakeman, and Waugh and Innes, London (1833)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595530161626-XDZH0R3D49U4O3N46DXV/thumbnail+%282%29.jpg</image:loc>
      <image:title>Don Quijote</image:title>
      <image:caption>Gentilucci, Italy (1834)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595529919898-OSOJP9VEAU4ZOPHIGVG6/thumbnail.jpg</image:loc>
      <image:title>Don Quijote</image:title>
      <image:caption>Clarey, Paris (1847)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595529984020-2HQ4FZ1XYUEIWTOFEKMS/thumbnail+%281%29.jpg</image:loc>
      <image:title>Don Quijote</image:title>
      <image:caption>Librairie de L. Hachette et cie., Paris (1863)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595530072892-BY9ARPXG8G43F1917T2D/thumbnail.jpg</image:loc>
      <image:title>Don Quijote</image:title>
      <image:caption>L. Hachette, Paris (1863)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/early-modern-women</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596037463025-OL1T7R2DT0WGTYIKNW8X/1401+%28French%29.jpg</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Livre que fist Jehan BOCACE de Certalde des cleres et nobles femmes, lequel il envoia à Audice de Accioroles de Florence, contesse de Haulteville - (1401)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596227068248-JJXRDW15CHEITHUBMX85/Augsburg%2C+Germany%2C+1473.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Hyenach volget der kurcz syn von ettlichen frauen von denen johannes boccacius in latein beschriben hat und doctor heinricus stainhöwel geteütschet -Sorg, Augsburg (1473)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596038683358-R4PWEUS7XEK2SXW2ONP3/Paris%2C+France%2C+1403.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Livre des Femmes Nobles et Renommées - Bouloingne et d’Auvergne, Paris (1403)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596226936764-S8TK5E40D9KH6BKA8BX5/Angoul%C3%AAme+or+Cognac%2C+France%2C+1488-1496.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Boccace, des cleres et nobles femmes, traduction français anonyme - Angoulême or Cognac (1488 -1496)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596038716542-RIRKM604VP41EF0GNJSW/Paris%2C+France%2C+1410.jpg</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Des cleres et nobles femmes, De claris mulieribus - Paris (1410)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596226946076-UYG28V91PLWZWLIOFJ58/1401+%28French%29.jpg</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Livre que fist Jehan BOCACE de Certalde des cleres et nobles femmes, lequel il envoia à Audice de Accioroles de Florence, contesse de Haulteville - (1401)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596036028624-W9V7OB8BGPMWQMVBHKAN/Augsburg%2C+Germany%2C+1473.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Hyenach volget der kurcz syn von ettlichen frauen von denen johannes boccacius in latein beschriben hat und doctor heinricus stainhöwel geteütschet - Sorg, Augsburg (1473)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596227023927-SFVFP9LD3WUB3RAKRX34/Madrid%2C+Spain%2C+1794.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Galeria de mugeres Fuertes, t. I. Las Fuertes Judias - La Oficina de Don Benito Cano, Madrid (1794) (vol. 1-4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596039000830-NL99NFWCJC2DKX5XITBQ/Ulm%2C+Germany%2C+1473.jpg</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>De Claris Mulieribus - Zainer, Ulm (1473)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596038957606-8YR8H60HM3DHNLCAN78F/R%C3%BCdlingen%2C+Switzerland%2C+1474.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Hie nach volget der kurcz sin von etlichen Frowen: von denen johannes boccacius in latin beschriben hat, und doctor hainricus stainhöwel getütschet - Zainer, Rütlingen (1474)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596038647035-KV8B8HDLVHD9FUDONFMH/Leuven%2C+Switzerland%2C+1487.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Iohannis Bocacij in librum de claris mulieribus - Van der Heerstraten, Leuven, (1487)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596037509079-LH1Z1WICP52AAE0GJRU4/Angoul%C3%AAme+or+Cognac%2C+France%2C+1488-1496.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Boccace, des cleres et nobles femmes, traduction français anonyme - Angoulême or Cognac (1488 -1496)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596038749816-Y4SOA5AMSZRUIJ6LZAWE/Paris%2C+France%2C+1493.jpg</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>De la louenge et vertu des nobles et cleres dames - Vérard, Paris (1493)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596039059081-TTLHX0NDSE1KWB8M7VPO/Zaragoza%2C+Spain%2C+1494.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>De Las Mujeres Ilustres - Hurus, Zaragoza (1494)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596038607147-8IMEB8QW6Y8MBE1KTA2W/Bern%2C+Switzerland%2C+1539.jpg</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Ioannis Boccatii de Certaldo Insigne Opvs de Claris Mulieribus - Apiarius, Bern (1539)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596037554367-CDFIV43HS4JDW9XK03D9/Augsburg%2C+Germany%2C+1543.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Ein schöne Cronica oder Hystoribuch von den fürnämlichsten Weybern - Stayner, Augsbery (1543)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596039974106-UN6YQK5IEXT8UVEGG60W/Madrid%2C+Spain%2C+1794.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Galeria de mugeres Fuertes, t. I. Las Fuertes Judias - La Oficina de Don Benito Cano, Madrid (1794) (vol. 1-4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596040003394-IQAX6OVB6LTEAITXPXRV/Madrid%2C+Spain%2C+1800-1850.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>Madrid, Spain, 1800-1850</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596040027008-NKNQHJW6R7A68S48ZW7F/New+York+City%2C+USA%2C+1857.jpg</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>World Noted Women; or, Types of Womanly Attributes of  All Lands and Ages - D. Appleton and Company, New York (1857)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596040055178-5ZYXD8RP6RXJVQ90D67M/New+York%2C+USA%2C+1858.jpg.png</image:loc>
      <image:title>Early Modern Women</image:title>
      <image:caption>World-Noted Women; or, Types of womanly attributes of all lands and ages - D. Appleton &amp; Company, New York (1858)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/european-illustrations-of-native-americans</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595528098761-MB4MW9Z10457JHFN2XNC/thumbnail.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Der ander Theyl, der newlich erfundenen Landtschafft Americæ, Von dreyen Schiffahrten, so die Frantzosen in Floridam (die gegen Nidergang gelegen) gethan. Eine unter dem Hauptmann H. Laudonniere, Anno 1564. Die ander unter H. Ribald 1565. Die dritte, unter H. Guorguesio 1567. Geschehen. - Johann Wechel, Frankfurt am Main (1591)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595528029620-MYI65TVPF2YZNDTK3ZA4/thumbnail+%282%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>De Insulis inuentis - Jakob Wolff, Basel (1493)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596207160586-NJ2NQO2KRLNTIVID142N/view+%281%29.jpg</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>A wooden grill upon which they singe the fish - Johann Wechel, Frankfurt am Main (1590)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595528163809-5A6Y3MGIDYY4IQGZW6GH/thumbnail+%281%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>In laudem Serenissimi Ferdinandi Hispaniarum Regis, Bethicæ &amp; regni Granatæ, obsidio, victoria, &amp; triumphus. Et de Insulis in mari Indico nuper inuentis - Johann Bergmann, Basel (1494)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596207160118-9AS5RHVC6H1H4CWBVMSP/view+%282%29.jpg</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>The method they use to eat - Johann Wechel, Frankfurt am Main (1590)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595527988148-N82JFXDYNZU3GDVB0FWD/thumbnail+%281%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Isole trovate novamente per el Re di Spagna - Giovanfillippo de Lignamine, Florence (1495)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596207160585-C38N9Z075FT0XBBQ75SS/view.jpg</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>The town of Secota - Johann Wechel, Frankfurt am Main (1590)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595527890189-35D8HMVV6JOXZBFNCDGF/thumbnail+%281%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>De ora antartica per regem Portugallie pridem inuenta - Matthias Ringmann, Strassburg (1505)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595528443528-LC2V0WB8CVKHCW0S0FLN/thumbnail.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Uslegung der Mercarthen oder Cartha Marina Darin man sehen mag, wa einer in der welt sey, vnd wa ein ietlich Land, Wasser und Stat gelegē ist. Das als in dē büchlin zefindē - Strassburg, Johann Grüninger (1525)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595528660745-WEUAO7M4CUNMT38MG61Z/Untitled.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Warhaftige Historia vnd beschreibung eyner Landtschafft der Wilden, Nacketen, Grimmigen Menschfresser Leuthen, in der Newenwelt America gelegen, vor vnd nach Christi geburt im Land zu Hessen vnbekant, biß vff dise ij. nechst vergangene jar, Da sie Hans Staden von Homberg auß Hessen durch sein eygne erfarung erkant, vnd jetzo durch den truck an tag gibt.- Andres Kolben, Marburg (1557)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1597356525544-4FJ7BQTZSVYMJFPBL64S/thumbnail.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Warachtige historie ende beschrrivinge eens lants in America ghelegen, vviens invvoonders vvilt, naeckt, seer godloos, ende vvreede menschen eters sijn - Christophe Plantin, Antwerp (1558)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595528351825-0VH8UVK42MVT14LBIVL5/thumbnail.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Rhetorica christiana ad concionandi, et orandi vsvm accommodata, vtrivsq facvltatis exemplis svoloco insertis; qvae qvidem, ex indorvm maximè deprompta svnt historiis. Vnde praeter doctrinam, svma qvoqve delectatio comparabitvr - Petri Giacomo Petrucci, Perugia (1579)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1597356713156-7BSB566KTL09SY4F93KW/thumbnail+%281%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Histoire d’vn voyage fait en la terre dv Bresil, avtrement dite Amerique. Contenant la nauigation, &amp; choses remarquables, veuës sur mer par l'aucteur. Le comportement de Villegagnon en ce païs là. Les meurs &amp; façons de viure estranges des Sauuages Ameriquains: avec un colloque de leur langage. Ensemble la description de plusieurs Animaux, Arbres, Herbes, &amp; autres choses singulieres, &amp; du tout inconues par deça: dont on verra les sommaires des chapitres au commencement du liure - Antoine Chuppin, La Rochelle (1578)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595528717522-UKA6BQT3BUNSZLS8WDR7/thumbnail+%281%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Wunderbarliche, doch Warhafftige Erklärung, von der Gelegenheit und Sitten der Wilden in Virginia, welche newlich von den Engelländern, so im Jar 1585. Vom Herrn Reichard Greinuile, einem von der Ritterschafft, in gemeldte Landschafft die zu bewohnen geführt waren, ist erfunden worden, in verlegung H. Walter Raleigh, Ritter und Obersten dess Zinbergwercks, auss vergünstigung der Durchleuchtigsten unnd Unuberwindlichsten, Elisabeth Königin in Engelland - Johann Wechel, Frankfurt am Main (1590)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1597356962028-9E3NP6XSIRLDFHI6K64V/thumbnail+%282%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Histoire d’vn voyage faict en la terre dv Bresil, avtrement dite Amerique. Contenant la navigation, &amp; choses remarquables, veuës sur mer par l'aucteur. Le comportement de Villegagnon en ce païs la. Les moeurs &amp; façons de viure estranges des Sauuages Ameriquains: avec un colloque de leur langage. Ensemble la description de plusieurs Animaux, Arbres, Herbes, &amp; autres choses singulieres, &amp; du tout inco[n]nues pardeçà: dont on verra les sommaires des chapitres au commencement du liure - Antoine Chuppin, Geneva (1580)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595527772776-TOLQPYBW2EHOPR1B1IB5/thumbnail+%282%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>A briefe and true report of the new found land of Virginia, of the commodities and of the nature and manners of the natural inhabitants. Discouered by the English Colony there seated by Sir Richard Greinuile Knight in the yeere 1585. Which Remained under the gouernement of twelue monethes, at the speciall charge and direction of the Honourable Sir Walter Raleigh Knight lord Warden of the stanneries who therein hath beene fauoured and authorised by her Maiestie and her letters patents - Johann Wechel, Frankfurt am Main (1590)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595527947490-MZ3C4CXRCTL25SMC38TV/thumbnail.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Admiranda narratio fida tamen, de commodis et incolarum ritibus Virginiæ, nuper admodum as Anglis, qui à Dn. Richardo Greinvile equestris ordinis viro eò in coloniam anno M.D.LXXXV deducti sunt inventæ, sumtus faciente Dn. Waltero Raleigh equestris ordinis viro fodinaru stanni præfecto ex auctoritate serenissimæ reginæ angliæ - Johann Wechel, Frankfurt am Main (1590)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596575983015-HL71WM1ENZ3UUV4KMPKY/view.jpg</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Brevis narratio eorum quae in Florida Americae provicia gallis acciderunt, secunda in illam navigatione, duce Renato de Laudoniere classis praefecto. Anno M D LXIIII. Quae est secunda pars Americae. Additae figurae &amp; incolarum eicones ibidem ad vivu expressae, brevis item Declaratio Religionis, rituum, vivendique ratione ipsorum - Johann Wechel, Frankfurt am Main (1591)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595528298848-QEB52NPHYRCJ98LX96XA/thumbnail+%282%29.png</image:loc>
      <image:title>European Illustrations of Native Americans</image:title>
      <image:caption>Merveilleux et estrange rapport, toutesfois fidele, des commoditez qui se trouvent en Virginia, des facons des naturels habitans d'icelle, laquelle a esté nouvellement descouverte par les Anglois que messire Richard Greinuile chevalier y mena en colonie l’an.1585. à la charge principale de messire Walter Raleigh chevalier surintendant des Mines d'Estain, favorisé par la royne d'Angleterre, et autorisé par ses lettres patentes - Johann Wechel, Frankfurt am Main (1590)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/metadata-and-detailed-image-descriptions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1600295390314-ARVRHR5SV4CZVOBPM33F/metadata+1.jpg</image:loc>
      <image:title>Metadata and Detailed Image Descriptions</image:title>
      <image:caption>How does metadata aid a researcher? Metadata is a powerful research tool with significant impact in the field of visual culture, and the humanities at large. For example, metadata and visual culture practices can aid research in the disciplines of history, media studies, literature, women’s and gender studies, Indigenous studies, among other fields. With mindful language and the precision of our metadata, our research team strives to present the most detailed and useful image descriptions so that granular research questions can be pursued in the collections: What is the visual culture of fish in the early modern period? How are objects gendered or racialized? The CEMVC provides our researchers with a thorough training module that allows them to not only understand the importance of metadata, but also best practices for its collection, curation, and development. Our training sessions ensure that CAIRN’s contents are not only vast, but meticulously accurate in their quality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1600268953279-IYLRZS9RHP7GYSTNLMKY/CAIRN%2Bdescript.jpg</image:loc>
      <image:title>Metadata and Detailed Image Descriptions - Decolonization through mindful description</image:title>
      <image:caption>CAIRN aims to always use mindful terminology that is inclusive and free of bias. By ensuring we use considerate and modern terminology, such as the correct names of groups, populations, and cultures, CAIRN supports social justice and calls for inclusion. This terminology reflects the nuanced societies evident in CAIRN’s collections but not necessarily communicated in textual form, for instance in the image’s original caption. For example, rather than conquest, we refer to the invasion of the Americas as resulting in genocide; girls when referring to adults is replaced with women, and Indigenous groups are properly and respectfully listed using the names that they have embraced.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1600268880130-0RC2QAHV6XHGR1EU5K24/CAIRN%2Bsource.jpg</image:loc>
      <image:title>Metadata and Detailed Image Descriptions</image:title>
      <image:caption>Source Notes When viewing an image in CAIRN, metadata appears below the image to help contextualize it. For example, it will direct the viewer to the place of publication, the method of illustration, the source creator, and much more. There is also metadata on the source itself to help contextualize the work, as well as notes about its contents and the context for its production. The metadata takes language into account, showing the language the text is written in, translating original image captions into English, and including works from different languages. For example, when searching for images from Gulliver’s Travels, viewers can find images from German and English editions, among other languages. In addition, critical introductions and descriptions of the images include context to help the reader know where they are situated in a text. Through CAIRN, a reader can also use metadata to view multiple collections for the purpose of comparison. The database therefore provides researchers with a new technique and foundation for conducting their research. Images are also tagged according to their contents and thematic context so that a user can pull up information across the database and by working across editions contained in one or more collection. Overall, having these image collections and their metadata compiled together allows researchers to save time as CAIRN acts as an interdisciplinary forum for visual culture research.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/posing-indepth-research-questions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1600366529816-ZYG7BCG7E2CRFQ0XVBNI/aristotle.png</image:loc>
      <image:title>Posing In-Depth Research Questions - How does CAIRN help meet your research needs?</image:title>
      <image:caption>When considering one’s ability to pose in-depth research questions, one must first consider the different variables. The emergence of visual culture as a discipline of study in the humanities gives rise to an important opportunity for innovative research. CAIRN is therefore a one-of-a-kind database that allows researchers to further their knowledge of literary and historical contexts through the use of images and their interconnecting metadata.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1600366203586-DNIEN0A8KNTCHKLK88Q0/Medusa.png</image:loc>
      <image:title>Posing In-Depth Research Questions - Creating Research Questions Based on Visual Culture</image:title>
      <image:caption>Images give new context to literary sources and contain information not always communicated by textual sources. In the early modern period, this reality is further complicated by the fact that texts tended to be authored by men. Visualizing the world, however, often resulted in the masculine western gaze coming to rest on a diverse array of people and objects. CAIRN has attempted to capture this diversity through the instrument of detailed and inclusive metadata. Since the collections come from different countries and time periods, one can see the shift in image producers’ representations or understandings of the world from one era to the next. For example, the images in the collection can provide information about and affirm the presence of women, colonial violence, Indigenous people, and more. Visual culture also acts as a vehicle that drives new research opportunities and the formation of connections across disciplines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1600366399102-FYT75HCKB7EZ4YF0AMDO/crown.jpg</image:loc>
      <image:title>Posing In-Depth Research Questions - Examples of Research Questions</image:title>
      <image:caption>How can CAIRN help you create an in-depth research question? The following example demonstrates some of CAIRN’s capabilities: When looking at CAIRN’s collections on El poema de mio Cid, one can see that the representation of Jimena changes with time. This representation shifts through the use of wardrobe as cultural expectations become increasingly more conservative. From here, one could pose the following questions: How is Jimena represented across time and does the evolution of her representation reflect the shifting roles of women? How do fashion and religion intersect, and how might her appearance reflect gendered notions of power understood from a Catholic perspective? Another possibility is to pursue an object-based study across all collections by searching for “crown,” which will catch any image featuring this object. We can then ask questions such as how often are women represented as wearing a crown compared to men; what secondary characteristics describe women who don a crown—do many of them hold books or scrolls aloft, or carry swords? A related inquiry might involve a search for “book” to see how various demographics use books: when Black people are featured reading or holding a book, what is the most common context or underlying condition for this illustration, and how can we understand race through this object?</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/transhistorical-and-global-views</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1599588671956-OS08QRRE7WJ92V0XEBI5/view.png</image:loc>
      <image:title>Transhistorical and Global Views - Why Do Global Views Matter?</image:title>
      <image:caption>The breadth of the CAIRN database allows us to gather an understanding of general trends in visual representations pertaining to a certain group of people, a concept, a text, or even objects. If we keep in mind, let’s say, that European illustrations betray the lens through which European populations saw the world, we can look at their visual representations for evidence of these perspectives. Illustrations of Indigenous populations of the Americas as seen by Europeans, for instance, are always depicted through a Christian and othering lens. Because of this, it is important to keep in mind that the image might reveal less about the various Indigenous populations they represent, and more about the way Europeans perceived said cultures. One of the research challenges that our detailed metadata will help us address is finding ways of overcoming the white patriarchy evident in early modern visual culture. Similarly, in the case of the Cid, the CEMVC’s critical introduction describes how overtime, Jimena’s depiction becomes more conservative. These increasingly conservative renditions have less to do with the context to which the Cid belongs (which remains medieval) but rather reflects how different countries and eras interpreted and understood the medieval period. This kind of comprehensive comparison is especially interesting when working with a single text (i.e. Mio Cid, La Celestina, Gulliver’s Travels, etc.) with multiple editions spanning centuries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1599588911835-B7ZLMRDYEKYQITJV52Z3/view.jpg</image:loc>
      <image:title>Transhistorical and Global Views - Fish in Context</image:title>
      <image:caption>Let’s consider a different example: if we search for “fish” in the CAIRN database, the search will be populated with all images tagged with this term. At present, most results belong to images in the “European Illustrations of Indigenous Peoples of the Americas” collection, but also some examples belong to the “Gulliver’s Travels” and “Vanity Fair” collections. Further refining the search to include only those images belonging to the “European Illustrations of Indigenous Peoples of the Americas” collection, we create a focused, thematically coherent data set interested in how fish relate to Indigenous people from a European perspective. The images originate from different European countries and comprise cultural representations of various Indigenous populations, written at different times and in a number of languages. In this context, the search for “fish” pertains to several Indigenous practices, including food preparation, fishing, food transportation, and storage. By pulling up all images tagged with a relevant label, we are able to quickly gather a general idea of what Europeans saw as a significant use of fish by different Indigenous communities. As such, we can understand what European-centric representations of the Americas focus on. In tandem, we can re-narrativize the content of the image by researching Indigenous relationships with fish and by acknowledging their authority and knowledge when it comes to fish. By bringing these perspectives into dialogue with a European image, we upset the power dynamics of the image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596040027008-NKNQHJW6R7A68S48ZW7F/New+York+City%2C+USA%2C+1857.jpg</image:loc>
      <image:title>Transhistorical and Global Views - More Possibilities</image:title>
      <image:caption>The above mentioned examples are just some of the ways in which having a large amount of visual data can help researchers form a global understanding of the visual material housed in the CAIRN database. The overarching global view of the data can help us better grasp the visual culture of things, objects, and people beyond the textual or literary material itself. The breadth of its contents also helps us understand visual history, as preferences for one illustration technique and the possibilities it offers overpowers and displaces another.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/expansive-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596045156430-JUQNBBJX42107OY11J99/view+%284%29.jpg</image:loc>
      <image:title>Expansive Collection - Breadth of Collections</image:title>
      <image:caption>The CAIRN database houses over 25 collections of illustrations which amount to a total of 22,000 images. Most images belong to books originally published in the early modern period, although many collections also include medieval and modern imagery as well. The illustrations have various foci, and mostly belong to sources from the Americas as well as Europe, although they also include a few from Asia. The images belong to illustrated literary texts such as La Celestina, Don Quijote, and Gulliver’s Travels, and other genres such as travelers’ diaries, novels of manners and conduct, and maps. Some collections feature illustrations in colour, some are in gray scale, and some collections offer both. The sources for these illustrations are scanned PDFs of the books undertaken by libraries across the world. The number of images belonging to each collection in part correlates to the source’s popularity and impact. The Don Quijote collection, for instance, spans over 15 editions, 7 languages, and contains over 648 images, while Ovid’s Metamorphoses collection contains 10 editions prepared in four languages and 756 images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1595977100455-XH8KS0O3MAYXXGT8J8YG/Leiden%2C+Netherlands%2C+1873.png</image:loc>
      <image:title>Expansive Collection - Depth of Collections</image:title>
      <image:caption>The CAIRN collections are developed to be as comprehensive as possible. When creating a new collection, our researchers in the CEMVC laboratory first initiate a data collection phase, during which they find as many illustrated editions belonging to a single text as possible that are in the public domain. Our Gulliver’s Travels collection, for instance, has 21 editions published in three languages, for a total of over 1,068 images. Researchers then move on to the metadata generation phase; each image is extracted from its book and various categories of information are described before the entry is uploaded to CAIRN. Each image becomes carefully tagged with relevant labels, and its features and image contents become detailed during this process. The depth of each collection allows for complex, global understandings of the visualization of people and their interaction with objects, other people, and flora and fauna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1594751293193-DRBBZ7HZ78G3MSME6W82/%5BSketch+of+a+vest%5D.png</image:loc>
      <image:title>Expansive Collection - The Database vis a vis this Website</image:title>
      <image:caption>The CEMVC website acts as a critical companion and portal to the CAIRN database. Among other information, you will find that each collection is contextualized by an introductory essay that guides the visitor through a potential lens they may choose to use when viewing the images housed in CAIRN. Furthermore, the bottom of each collection page contains PDFs of the collection’s source editions, to encourage researchers to view not only the images, but also their context and secondary information.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/las-cantigas-de-santa-maria</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596394061375-3WCKFX3ZPVJH44HHPF5E/Sevilla%2C+Spain%2C+1518-1520.png</image:loc>
      <image:title>Las Cantigas de Santa María</image:title>
      <image:caption>Cromberger, Sevilla (1518-1520)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596394083144-MHADA8WC3UZXHSKA1A5I/Venice%2C+Italy%2C+1543.png</image:loc>
      <image:title>Las Cantigas de Santa María</image:title>
      <image:caption>de Bendoni &amp; Hordognez, Venice (1543)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/coat-of-arms</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605799112123-V7NNHG2HLCDLQ1N904F7/Buenos+Aires%2C+Pinamar%2C+Ostende.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Argentina</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605803071048-ITUT7WLL2TBG05LAT8G1/Cape+Breton+Regional+Municipality+%28NS%29-+can+2.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Cape Breton, Nova Scotia, Canada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605801678781-QVKUXJBP4ZW8RTYWSYHM/Potos%C3%AD%2C+Rafael+Bustillo%2C+Unc%C3%ADa.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Bolivia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605802778186-13UID0C309LG9UPU2W1Q/Sinaloa%2C+Mazatlan+-+mex+2.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Mazatlan, Sinaloa, Mexico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605801746475-TG5CNXVXMYVMT6S50ARX/Sorocaba+%28SP%29+Coat+of+Arms.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Brazil</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605802931803-2B487JZ600CDIVP21J35/Casanare%2C+Pore+-+colom+2.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Pore, Casanare, Colombia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605799296660-O842W92KWEBONSF7QWKZ/Wetaskiwin+%28AB%29.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Canada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605801846026-JZGYM63C6CACZ11ZJ1M3/Coquimbo.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Chile</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605801961541-7VCK32J8487IDTOGBJ99/Nari%C3%B1o%2C+Mosquera.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Colombia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605802654556-LQ0VQNLP259PGOUVLJJG/Limo%CC%81n+Official+Seal.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Costa Rica</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605799539288-CJ4QNQCKE16YXM9605G4/Sancti+Sp%C3%ADritus%2C+Fomento.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Cuba</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605799729478-QZ6OA2EH0JKOJ89APNR7/San+Jos%C3%A9+de+Ocoa.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Dominican Republic</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605799991483-D1YPISD93LRMDTM5OB3X/El+Carmen+%28MA%29+Official+Seal.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Ecuador</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605800114328-T2LOM5YPW5MQ4KZ1612Z/San+Salvador%2C+Mejicanos.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>El Salvador</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605800182535-MMIINVQMCMUYWD0UWZZI/Kourou+%28Cayenne%29+Official+Seal.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>French Guiana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605800278772-4BW094RC3MPWS2R6PU1Z/Sacatep%C3%A9quez%2C+Magdalena+Milpas+Altas.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Guatemala</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605800560980-HSX212XS6MPUCQJ5JNUT/Acambaro+Coat+of+Arms.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Mexico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605800650693-11TXT7RPPVA4IDZJU0UO/Diriamba+%28CA%29+Official+Seal.svg.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Nicaragua</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605800819991-JBHZS8HBRU0489CFP58Z/Bocas+del+Toro.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Panama</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605802578580-J5RV8816RMA99W1H4W31/Misiones+Departmental+Coat+of+Arms.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Paraguay</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605802020501-TPTE129SF1NR722CBJG0/Loreto%2C+Ucayali%2C+Contamana.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Peru</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605801209365-O2O4KGJM8AD7T4MG2MYQ/Trinidad+and+Tobago.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Trinidad and Tobago</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605801431072-CTAQOVUDVAL2OZUXVBHS/Paysandu+Departmental+Coat+of+Arms.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Uruguay</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605801523566-9FXZ5XHP9EB6H4M3XRRS/Massachusetts+-+Newton+Seal.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>USA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1605802166705-48TKIP76AMP0XX0KAOJY/La+Canada+de+Urdaneta+Coat+of+Arms.jpg</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Venezuela</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1610216078070-XOQS8CTM7IES8F7NDQP3/Port-au-Prince+%28Ouest%29+Coat+of+Arms.png</image:loc>
      <image:title>Coat of Arms</image:title>
      <image:caption>Haiti</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/manners-conduct</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596394061375-3WCKFX3ZPVJH44HHPF5E/Sevilla%2C+Spain%2C+1518-1520.png</image:loc>
      <image:title>Manners &amp; Conduct</image:title>
      <image:caption>Cromberger, Sevilla (1518-1520)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1596394083144-MHADA8WC3UZXHSKA1A5I/Venice%2C+Italy%2C+1543.png</image:loc>
      <image:title>Manners &amp; Conduct</image:title>
      <image:caption>de Bendoni &amp; Hordognez, Venice (1543)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/aesops-fables</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-07-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606240095212-2VKE1BW374ENQPK74N89/image.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Augsburg (1479)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606758434447-0QMK024LPV9G8O4S8N0D/thumbnail+%282%29.jpg</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Cassell, Petter, and Galpin (1869)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606240660124-K7SR59IOFYY5TL3BT04V/image+1.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Strasbourg (1481)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606758434930-TKEEQXKMYTCWOIA0DC7L/thumbnail.jpg</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Cassell, Petter, and Galpin (1869)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606240970858-V2A5G9GVOKHWIJ2ASJSN/image+2.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Naples (1485)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606758435227-784XD4NZMKLN77GWWNV6/Untitled.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>I.M. Dent &amp; Co (1895)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606241226678-ZE4WJPBXBFV0758H68ZO/image+3.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Antwerp (1486)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606758434143-UMVLCIN8PEDNT4LL9U2R/thumbnail+%281%29.jpg</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Belford, Clarke &amp; Co (1882)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606240354057-G9PKANQ0AU5M9ZAH4DFH/image.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Brescia (1487)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606241552791-1IEODI4NIH5A5WX541WL/image+4.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Venice (1493)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606241720889-GB3XYXI4AECKRDZSBB1L/image+5.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Naples (1495)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606241878977-6TLB77E5V4QNKZYOGBYM/image+6.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Milan (1498)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606242000324-FKTTPU3LFJ4R1V81FBD9/image+7.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Jacobi de Phortzheim (1501)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606242149958-K7D0RD52P3Y00AVRTAJJ/image+8.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Venice (1517)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606242699462-AN5CADB28VE25OQX1BY3/image+11.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>J. Cronberger (1521)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606242313728-YRAYFXKGZCA50MKEYD18/image+9.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Turin (1534)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606242503117-WEDDJ4HQ9QAN82RB2S9J/image+10.png</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Apud Loduicum Britannicum (1537)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606239285716-MRCQ8SZRPIYENTNDA3DI/thumbnail.jpg</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Charles Robinson (1895)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606239573566-TP6MDPBBSV56TM8S92SG/thumbnail+%281%29.jpg</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>Springer Brothers (1897)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eff829a5206ef2e13b2aabb/1606239799306-EHUBPHWAUU4K2490C6A3/thumbnail+%282%29.jpg</image:loc>
      <image:title>Aesop</image:title>
      <image:caption>John Murray (1898)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/botanical</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847318774-JS502KT9XE3KPJHQQ6E3/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Herbal and Botanical Texts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847318080-B9F72DEHK9FXZN08KRIP/Large%2BJPG-20140228_Trade%2B151_0046.jpg</image:loc>
      <image:title>Herbal and Botanical Texts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847317621-5SEXVL3M0LSMZVYRL6PC/Large%2BJPG-Aro%2BHa_0428.jpg</image:loc>
      <image:title>Herbal and Botanical Texts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847317308-TDOFWH9YJEOMMRVEO7D9/Large%2BJPG-Aro%2BHa_0010.jpg</image:loc>
      <image:title>Herbal and Botanical Texts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847316926-7EAMTNMIVN6J7Y8IJQEJ/Large%2BJPG-Aro%2BHa_0393.jpg</image:loc>
      <image:title>Herbal and Botanical Texts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847316328-ZCDAOUA1PY1R3CA7PD1K/Large%2BJPG-Aro%2BHa_0380.jpg</image:loc>
      <image:title>Herbal and Botanical Texts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847315857-HXSHJG4PKSDRYVEJLCHD/Large%2BJPG-Aro%2BHa_0387.jpg</image:loc>
      <image:title>Herbal and Botanical Texts</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cemvc.ca/dr-ruckenstein</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-08</lastmod>
  </url>
</urlset>

